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Yasmeen Siddiqui

Curating on the Margin

The challenges of dialoguing with subjects or spaces on the fringe, for better or for worse, are fragile endeavors that deserve a close examination of curatorial agendas and theoretical framing. Looking to the recently closed Williamsburg Bridges Palestine 2002 and the soon to open exhibition The Same Sky we can examine the success and failures of the margin, where things that traditionally escape our view are placed in the foreground for careful scrutiny.

Histories of Violence

Two concurrent Chelsea exhibitions tackle the aesthetics of violence within the context of war: Thomas Hirschhorn’s Superficial Engagement at the Gladstone Gallery and the projects of Walid Raad/The Atlas Group at The Kitchen under the title The Dead Weight of a Quarrel Hangs.


The Brooklyn Rail

JUL-AUG 2020

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