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William J. Simmons

Djordje Ozbolt More paintings about poets and food

Ozbolt’s new exhibition at Hauser & Wirth, Ozbolt manipulates art-historical categories and source materials that rework traditional expectations about painting. He alludes to the punk aesthetic that I consider understated subversion—irreverence combined with a sophisticated and technically proficient practice.


You’ve very likely seen Tom Otterness’s trademark figures—a carnivalesque collection of mischievous characters—without even knowing it. His permanent installation entitled Life Underground (2004), which fills the 14th Street/8th Avenue subway station, often prompts hasty New Yorkers and tourists alike to stop and snap a picture, or watch tenderly as their children attempt to converse with a statue.


The Brooklyn Rail

JUL-AUG 2020

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