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Wendy Vogel

WENDY VOGEL is online editor at Art in America.

Riding the Fourth Wave in a Changing Sea

Although I’ve heard the term “fourth wave feminism” referenced in casual conversation, its contours remain fuzzy as a movement. A quick Google search reveals that the term has been bandied about for at least the last four years.

Gender Trauma & Abreaction

A critic’s stance evolves out of a personal worldview marked by trauma; the personal is political, as second-wave feminism tells us. As a feminist, my understanding of the movement cannot be separated from my lived female experience.

Living as Form

Some critics accuse contemporary art since the 1990s of producing no definable movements. If pressed, they might concede that relational aesthetics represents one trend.

Nature

Organisms ranging from the mundane to the fantastical—bats, cats, and neon rabbits to GMOs, avatars, and cyborgs—fill the pages of Nature, the latest volume in Whitechapel’s Documents of Contemporary Art series.

Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art

In their 1968 essay “The Dematerialization of Art,” John Chandler and Lucy R. Lippard argued that the developments of Conceptualism would transform art criticism. “If the object becomes obsolete, objective distance becomes obsolete,” they wrote.

Summer of Hate

Over the past two decades, Chris Kraus has channeled the clichéd advice to “write what you know” into high formal and philosophical stakes: a radical subjectivity that jettisons the fiction of critical distance to embody the feminist ethos “the personal is the political.”

In Conversation

BEN DAVIS with Wendy Vogel

Brooklyn-based writer Ben Davis sat down with Art Books contributor Wendy Vogel on a Sunday morning at the Rail Headquarters to discuss his book 9.5 Theses on Art and Class (Haymarket, 2013)

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The Brooklyn Rail

MAR 2020

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