SUSAN HARRIS is co-president of the Board of the International Association of Art Critics, United States section (AICA-USA). She is an independent scholar and curator. Her most recent project is Managing Editor, Unfinished Memories: 30 Years of Exit Art, Steidl, 2016.
APR 2018 | ArtSeen
It is a thrill to see Leon Golub’s in-your-face paintings on the brutalist walls of the Met Breuer. During his lifetime, American painter Leon Golub received little institutional recognition—particularly from museums in the US.
JUDITH STEIN with Susan Harris
Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art
NOV 2016 | Critics Page
You’ve done a beautiful job, a great service to us all in bringing to light so much valuable information on this quiet visionary, Dick Bellamy, who, by your account, was unintentionally drawn to, and pinpointed artists who went on to speak to and define a whole generation.
FEB 2009 | ArtSeen
Nancy Speros recent exhibition at Galerie Lelong reaffirms the artists status as a national treasure.
DEC 06-JAN 07 | Art
On the occasion of the traveling retrospective Kiki Smith: A Gathering, 19802005, the artists first full-scale survey (on view until February 11, 2007), Kiki Smith welcomed Rail publisher Phong Bui and independent curator/writer Susan Harris to her home and studio to discuss her life and work.
NOV 2016 | Editor's Message
As serious, trained professionals who care deeply about art and artists, and place a high value on the disciplines of art history and art criticism, we regularly reflect on the role of the art writer/critic—what it is today and what it should be in a rapidly changing art world.
NOV 2012 | ArtSeen
Ralph Humphreys exhibition at Gary Snyder Gallery illustrated his unique contribution to American abstract painting. In contrast to the metaphysical aspirations of the Abstract Expressionist painters whom he admired when he arrived in New York in the late 1950s, Humphreys territory was secular and nonspiritual.
OCT 2006 | ArtSeen
Ursula von Rydingsvard’s commanding new sculptures in natural, rough-hewn cedar are captivating in their correspondences to and departures from the awe-inspiring and warmly welcoming works that have defined her thirty-year oeuvre.