STEVE MACFARLANE is a writer, curator and filmmaker from Seattle, Washington. His writing has appeared in Cinema Scope, The White Review, Filmmaker Magazine and BOMB, among others.
SEPT 2018 | Film
The nonstop interfacing of digital media with every expiring millisecond of day-to-day life pokes at some uncomfortable questions, especially when the philosophical dilemma of the personal device is turned away from our custom-curated social media timelines and back towards the outside world.
OCT 2015 | Film
Close your eyes and imagine a megaplexsay, the AMC Regal E-Walk 42nd Streetconverted into a massive, orgiastic, and yet somehow profitable bonanza of world cinema for ten consecutive days. Apparently, this is what happens every September at the Scotiabank Theatre (alongside ten other, also ridiculously huge venues), all nestled between skyscraper-condo construction sites in the main drag of downtown Toronto for said citys International Film Festival.
FEB 2013 | Film
Theres scarce sound, but you can almost hear the clinking of champagne glasses: in a green landscape dotted with silent black servants and gallivanting bourgeoisie, the billowing white leisurewear of a late 60s colonial community in Tabu takes on a Proustian, hallucinatory weight.
SEPT 2012 | Film
Starting with the title, cruel irony abounds in journalist David Frances How To Survive a Plague, a systemic dissection of the NYC-based gay communitys response to the AIDS epidemic and the lessons learned by its principal activists.
OCT 2016 | Film
For exactly one afternoon last month, the streets of Toronto were abuzz with a question: Why was Bertrand Bonello’s Nocturama not selected for the New York Film Festival?
NOV 2014 | Film
A different approach can be sniffed out in the documentaries of Brazilian documentarian Eduardo Coutinho. The filmmaker was stabbed to death by his schizophrenic son last February at the age of 80, a net loss not just for world cinema but for the documentary form at large.
JUL-AUG 2012 | Film
Ali Samadi Ahadis half-animated documentary The Green Wave could do a fair bit to enliven this conversation, working best as a compendium of first-person stories gleaned from interviews, anonymously quoted tweets, blog entries, and documentary footage.