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Sean Glass

SEAN GLASS is his own worst enemy.

Thinking Contextually in the Existential Whodunit

I recently wrote on Lars von Trier’s Antichrist and much of what I wondered about was the maker’s intention. Specifically, what was von Trier’s choice and what was a mistake?

Olivier Assayas’ Carlos

Carlos is Olivier Assayas’ five and a half hour epic tale of the ’70s punk rock terroris Illich Ramirez Sánchez, known by his nom de guerre Carlos, and later dubbed by the press “Carlos the Jackal.”

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The Brooklyn Rail

NOV 2019

All Issues