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Scott Cheshire

SCOTT CHESHIRE is the author of High As The Horses’ Bridles. He is the interview editor at the Tottenville Review, a co-host of The Workshop podcast, and teaches writing at the Sackett Street Writers' Workshop.

In Conversation

CHRISTOPHER BRAM with Scott Cheshire

“Gay literature” has long had a tough time having to account for itself, if for no other reason than the general public’s reluctance to read past the first word of that phrase. Nevertheless, Bram is one of (gay) literature’s best; one writer in a long line of writers who have not only artfully mined the subtle complexities of love, but also challenged the stolid social orthodoxies surrounding it.

All Too Human

I’m a fan of talking animals. Not the benign Mr. Eds of the world, but more like the monkeys and mice of Kafka, the goldfish of Etgar Keret’s dark and magical “What, of This Goldfish, Would You Wish?” and the super sunny piglet of Babe (both movies) (seriously). What I mean to say here is the animal represented in possession of a complex human consciousness is about as uncanny as it gets—as familiar, as it is alien—and when done especially well can deepen our understanding of humanity.

Prodigal Thoughts

Last month, my wife and I went with family to Wyoming, where we stayed in a wooden cabin fronted by a tall wide deck, offering a perfect natural picture: the rocky peaks of the Teton Range, the long grasses and grounds between here and there, and a high blue sky all swollen with mountain-sized clouds made of white feathers. A fat brown moose took a nap in our yard.

In Conversation

PETER M. WHEELWRIGHT with Scott Cheshire

Peter Wheelwright is now officially a Renaissance man, a real triple threat. This is not to say he’s a song-and-dance man. Then again it seems there is nothing the man cannot do.

In Conversation

BILL CHENG with Scott Cheshire

Bill and I met at an uptown café for lunch, like we often do, to talk about the novel, and, for the first time in years, I was at a loss for words.

In Conversation

David Burr Gerrard with Scott Cheshire

I like opening sentences, paragraphs, and pages, especially those that seem to contain inexplicably all things that follow. Whole novels lying dormant on a single page that, with a turn, spring forth like a minor Big Bang, or one of those giant sequoia trees from an incredible tiny seed.

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The Brooklyn Rail

NOV 2019

All Issues