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Renée E. D'Aoust

Renée E. D’Aoust’s Body of a Dancer (Etruscan Press), an interlacing series of essays, was a Foreword Review’s “Book of the Year” finalist. Recent publications include Brevity, Inside Higher Ed, Los Angeles Review of Books, Sweet, and Trestle Creek Review. D’Aoust teaches online, is the Managing Editor of Assay: A Journal of Nonfiction Studies, and lives in Switzerland.

Prose Roundup

Four hundred years have passed since Shakespeare plied his quill. In the interim, we have published him, lauded him, Bowdlerized him, edited him, and possibly forgotten who he was. One has the sense that the historical documentation is worn thin with the jittery handling of Ivy League professors. Every generation—every few years—Shakespeare is remade from the same stuff.

TOKENS

On September 15th 1959, Soviet premier Nikita Khrushchev was greeted by President Eisenhower and a 21-gun-salute at Andrews Air Force Base. Crowds predictably gathered in Washington in anticipation as the two leaders were driven into the city.

In Conversation

There’s No Place Like Time, or The Art of Trash Diaries, Curiosity Cabinets, & Determined Noticing
LANCE and ANDI OLSEN in conversation with Renée E. D’Aoust

This interview with Lance and Andi Olsen took place in Berlin over the course of two visits. The first was at the Literaturhaus Café, an elegant gathering place for writers and publishers on Kurfürstendamm, the second at the Café Cinema, a funky dive (wallpaper from another era still peeling) in the former East near Hackescher Markt. Drinking huge cups of Milchkaffee, we agreed one can never imbibe too much caffeine or talk too much about art, literature, and ideas.

Tokens

Takes us into the heart of political influence on civilian life in Morocco, exploring issues of sexuality, ambition, religion, love, and family.

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The Brooklyn Rail

NOV 2019

All Issues