Ray Abernathy
TOKENS
By Ray Abernathy, Raina Lipsitz, and Sarah NormandieWhen the teller of this story of stories rolls out in the first line of the first page, “Pretend you are my sister,” you suspect you’re in the hands of yet another delightfully manipulative Southern storyteller, which Douglas A. Martin certainly is, but it does nothing to prepare you for a seeming jumble of herky-jerky sentences, half-expressed back and forths, pesky digressions and episodic little gemlits about growing up at the tail-end of the Tobacco Road Erskine Caldwell carried us careening down seventy years ago.
Tokens
By Tatiaana Laine, Jon Curley, and Ray AbernathyJohn Wray (Canaan’s Tongue) delivers another fast-paced novel which takes us through the New York City subway system, tracking a schizophrenic sixteen-year-old boy who, like many of the city’s paranoid residents, believes he has been made privy to information about a pending apocalypse.
TOKENS
By John Yau, Bruce Seymour, Ray Abernathy, and Nicolle ElizabethFrom Dubai to Japan to Boston to Brooklyn to Romani Gypsy grandparents, the stories in Anatolia and Other Stories (Black Lawrence) are varied and, conceptually, architected on an intriguing premise. The first story, “Dubai,” reads like a Malamud folklore legend/Flannery O’Connor hybrid.
MEMOIR
The Serial Name-Dropper
By Ray Abernathy
Not to get gushy, but if you’re a writer, or want to be a writer, or just like to hang out around writers and pretend you’re a writer, then you’ll gobble up Bruce Jay Friedman’s literary memoir, Lucky Bruce.
