Raina Lipsitz
TOKENS
By Ray Abernathy, Raina Lipsitz, and Sarah NormandieWhen the teller of this story of stories rolls out in the first line of the first page, Pretend you are my sister, you suspect youre in the hands of yet another delightfully manipulative Southern storyteller, which Douglas A. Martin certainly is, but it does nothing to prepare you for a seeming jumble of herky-jerky sentences, half-expressed back and forths, pesky digressions and episodic little gemlits about growing up at the tail-end of the Tobacco Road Erskine Caldwell carried us careening down seventy years ago.
TOKENS
By Polly Rosenwaike, Raina Lipsitz, and Julia PowersI can sympathize with peoples pains, but not with their pleasure, said Aldous Huxley, author of the 1932 novel, Brave New World. There is something curiously boring about somebody elses happiness.
FICTION: NOT CRYING
By Raina LipsitzThe best story in Dont Cry, Mary Gaitskills latest short story collection, is the title story. Had it appeared first rather than last, her readers might have been eager for the stories that followed.
PAUL AUSTER: INVISIBLE
By Raina LipsitzInvisible, the latest novel from Brooklyns prolific Paul Auster, is deftly plotted and compulsively readable.
TOKENS
By Charles Bernstein, Caroline Seklir, Paul Charles Griffin, Raina Lipsitz, and Cole LarsenWhile Greg Amess novel, Buffalo Lockjaw, contains all the elements of a classic Buffalo storysnow, sports, drinking, despairAmes has created a narrator, James Fitzroy, who rises above caricature.
FICTION: It's a Miraquirk
By Raina LipsitzChristine Lehners third novel, Absent a Miracle, is witty, warm, and funny. It successfully blends several different kinds of fiction, echoing (without aping) Anne Tylers beautifully observed tales of domestic life, Junot Diazs creative use of Latin American history and myth, and Jane Smileys avid depictions of sex and the human body.
Fiction: Yet Another Family Drama
By Raina LipsitzKristina Riggles debut novel, Real Life & Liars, is full of unlikable characters who think and speak in clichés.