Ad Reinhardt: SlidesBy Prudence Peiffer
While Reinhardt is best known as a painter of reductive, dark abstract canvases, he had a life-long interest in photography.
The Historical Present: Collective Solitude at Coenties SlipBy Prudence Peiffer
For the past five years Ive been consumed by the story of a group of artists who lived and worked from 19561967 in nineteenth-century sailmaking and maritime lofts on a three-block radius at the southern tip of Manhattan, near the Battery and South Street seaport. They were a motley crew who all came from outside of the city and settled (illegally) into rough but cheap open spaces on Coenties Slip, one of New Yorks oldest streets. Ellsworth Kelly and Jack Youngerman had just returned from Paris, carrying with them a legacy of abstraction but also an ambition to paint something new. Agnes Martin arrived from the southwest, already thinking of how the citys landscape could structure her compositions. Lenore Tawney was starting over after another life in Chicago, eager to continue inventing ways to expand a looms capacities.