Many of Mischa Kuballs public art projects and institutionally based works deploy light. For much of his career the artist has used this ephemeral medium as both an intellectual and emotive resource.
At different points in history, contemporary artists have led revived appreciations for earlier painters or styles. Plentiful examples include the rediscovery of El Greco through the eyes of the German Expressionists, new excitement for the work of Frans Hals by a number of Impressionist painters, and the rekindling of attention to the later periods of Francis Picabia during the heyday of Neo-Expressionism.
As a curator who has worked at The Jewish Museum in New York for decades, the specter of Alan Solomon looms large. Solomon served as its director from July 1962 to July 1964, a mere two years.