On a May afternoon at the New 42nd Street Studios in Times Square, dancer and choreographer Kitty Lunn was rehearsing a piece that required her to push herself up off the floor into a standing position.
When celebrities venture outside their areas of expertise, the results arent always pretty. Just try to get through one of Madonnas childrens books or Scarlett Johanssons album of Tom Waits covers. And so, when French actress Juliette Binoche announced last year that she would be performing alongside top-notch British choreographer Akram Khan in a dance work called In-I, we were admittedly un peu sceptique.
In like a lion, out like a lambbut for dance-loving New Yorkers, this March also promises three anticipated film events. First, dance film pioneer Elaine Summers is honored over three evenings at Danspace Project at Saint Marks Church and one afternoon discussion at the New Museum, which will explore her influence on a younger generation of artists.
You could say that Garth Fagan knows a thing or two about longevity. His choreography, a modern/Afro-Caribbean hybrid with the heat of Alvin Ailey and the cool intelligence of Merce Cunningham, has kept audiences and critics in thrall for decades.
What becomes of the brokenhearted? If youre Kyle Abraham, you channel your heartbreak into some really fierce dancing and invite others to share your pain. Abraham presented Heartbreaks and Homies February 11 and 12 at Joes Pub, just in time for Valentines Day.
A writer sits on the living room couch and stares at the computer in her lap. A glass of water sweats on the coffee table. A dog sleeps curled up on a green blanket at her feet.
Ladies and gentlemen, the dance performance is about to begin. Please put on your blindfolds.