Megan N. Liberty
MEGAN N. LIBERTY is the Art Books Editor at the Brooklyn Rail. Her interests include text and image, artists’ books and ephemera, and archive curatorial practices.
MAR 2018 | Art Books
Imagine if writing was a purely visual endeavor without linguistic or syntactical meaning. Could we read the curves and slants, thickness, and size of the lines like we would alphabetical or pictorial characters? The writings and drawings of Mirtha Dermisache and Renee Gladman beg these questions.
SEPT 2018 | Art Books
I first met Sonel Breslav, Printed Matter’s new Director of Fairs and Editions, through the BABZ Fair (formerly known as the Bushwick Art Book & Zine Fair) organized by Blonde Art Books, which she began in 2012 as a vehicle for self-published and small press art and poetry books. On the occasion of Printed Matter’s thirteenth Annual NY Art Book Fair (NYABF), I talked with Sonel about the rising interest in art books and fairs, the challenges of exhibiting books, and how to balance programming, display, and commerce at the fair.
JUNE 2017 | Art Books
How do we enter a book? How do we move around in it and travel between its pages, chapters, and various corners and openings? These are some of the questions Tate Shaw asks in his collection, Blurred Library: Essays on Artists’ Books.
NOV 2017 | Art Books
Known as an abstract painter for his bold use of gridded color swatches, Stanley Whitney crowds his drawings with an abundance of line, as seen in his September-October exhibition of drawings at Lisson Gallery in Chelsea.
JUL-AUG 2016 | Art Books
Some artists, such as Bianca Stone and Jon-Michael Frank, are responding to the new order of things through the genre of poetry comics, which combine illustrations with brief lines of text.
JUNE 2018 | Art Books
In the 1920s, Professor Edward Forbes, Harvard art historian and then-director of its Fogg Art Museum, wanted to give his students the opportunity to learn from European masterworks. But in order to be sure he was acquiring the real paintings, he had to develop a better sense of the authenticity of painting materials. To accomplish this, he built what is now one of the largest and most expansive collections of color samples, including over 2,500 of the rarest pigments in the world.
APR 2017 | Art Books
Can reading be a form of making? And if reading is making, what, then, of publishing? Two recent publications take these questions as their starting points.
SEPT 2017 | Art Books
While British artist Sarah Tulloch was completing her undergraduate degree in fine art, she inherited a collection of photographs from her grandfather, an amateur photographer whom she hadn’t known very well because he lived in Australia and she in the United Kingdom.
MAR 2016 | Art Books
The British art critic Lawrence Alloway, one of the earliest theorists of Pop Art, wrote that the “term [Pop Art] refers to the use of popular art sources by fine artists: movie stills, science fiction, advertisements, games boards, heroes of the mass media.”
OCT 2015 | Art Books
John Cage’s musical compositions are known for requiring a high level of interpretation on the part of the musician: they are more of a collaboration with the composer than a direct translation of written notes into auditory musical form.