Megan N. Liberty
MEGAN N. LIBERTY is a writer based in Brooklyn. Her interests include text and image, artists' books and ephemera, and archive curatorial practices.
MAR 2018 | Art Books
Imagine if writing was a purely visual endeavor without linguistic or syntactical meaning. Could we read the curves and slants, thickness, and size of the lines like we would alphabetical or pictorial characters? The writings and drawings of Mirtha Dermisache and Renee Gladman beg these questions.
JUNE 2017 | Art Books
How do we enter a book? How do we move around in it and travel between its pages, chapters, and various corners and openings? These are some of the questions Tate Shaw asks in his collection, Blurred Library: Essays on Artists’ Books.
NOV 2017 | Art Books
Known as an abstract painter for his bold use of gridded color swatches, Stanley Whitney crowds his drawings with an abundance of line, as seen in his September-October exhibition of drawings at Lisson Gallery in Chelsea.
JUL-AUG 2016 | Art Books
Some artists, such as Bianca Stone and Jon-Michael Frank, are responding to the new order of things through the genre of poetry comics, which combine illustrations with brief lines of text.
APR 2017 | Art Books
Can reading be a form of making? And if reading is making, what, then, of publishing? Two recent publications take these questions as their starting points.
SEPT 2017 | Art Books
While British artist Sarah Tulloch was completing her undergraduate degree in fine art, she inherited a collection of photographs from her grandfather, an amateur photographer whom she hadn’t known very well because he lived in Australia and she in the United Kingdom.
MAR 2016 | Art Books
The British art critic Lawrence Alloway, one of the earliest theorists of Pop Art, wrote that the “term [Pop Art] refers to the use of popular art sources by fine artists: movie stills, science fiction, advertisements, games boards, heroes of the mass media.”
OCT 2015 | Art Books
John Cage’s musical compositions are known for requiring a high level of interpretation on the part of the musician: they are more of a collaboration with the composer than a direct translation of written notes into auditory musical form.