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Martica Sawin

ELLEN LANYON

A glass-sided skeleton cabinet from Cooper Union, obsolete for art school purposes, was retired to Ellen Lanyon’s SoHo studio where, minus the skeleton, it became a repository for eccentric objects collected by the artist. The rest of her collection fills most available surfaces—walls, shelves, table tops—in her wunderkammer loft.

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The Brooklyn Rail

NOV 2019

All Issues