MAREK BARTELIK is an art critic, art historian, and poet. He taught modern and contemporary art at the Cooper Union for the Advancement of Science and Art in New York from 1996 to 2012. Universities he has taught as Visiting Professor include Yale and MIT. Bartelik was a Graduate Critic-in-Residence at the Maryland Institute College of Art in Baltimore (2006 2011). Between 2008 and 2012 he served as President of AICA-USA, and currently serves as the 15th President of AICA International (International Association of Art Critics), which gathers over 4500 critics in 63 national sections worldwide.
His books include: The Sculpture of Ursula von Rydingsvard (New York: Hudson Hills Press, 1996), co-authored with Dore Ashton and Matti Megged; To Invent a Garden: The Life and Art of Adja Yunkers (New York: Hudson Hills Press, 2000) for writing of which he was awarded a Judith Rothschild Foundation grant; Early Polish Modern Art: Unity in Multiplicity by the Manchester University Press, Manchester, England, November 2005 (England), December 2005 (USA) - for which he has received PIASA’s 2007 Waclaw Lednicki Humanities Award; and GDR/DDR: Contemporary German Painting from Portuguese Collections (Lisbon, Portugal: ARTing, 2008). His debut volume of poetry, East Sixth Street: 50 poems, was published by 7Letras in Rio de Janeiro, Brazil, in December 2006. His first book in Polish, Lagodny deszcz (Gentle rain) was released in Poland in December 2010 (the book’s English version is scheduled to be published in 2015).
His articles have appeared in, among other magazines and newspapers, CAA Art Journal, Print, Culture Politics, Paletten, Dare, Obieg, Brooklyn Rail, Art in America, Bookforum, and Artforum - for which he has written exhibition reviews from more than 20 countries on four continents. He has written about, among others, Cai Guo-Qiang, Ilya Kabakov, Boris Mikhailov, Dmitri Prigov, ORLAN, DUST, Anna-Bella Geiger, Pazé, Nan Gonzales, Oswaldo Vigas, Miguel Palma, Grimanesa Amoros, Isabel Rocamora, Christopher Mir, and Yuhee Choi.
He curated, among other exhibitions, Adja Yunkers: To Invent a Garden at the Bayly Art Museum in Charlottesville, University of Virginia (April-June 2000); POZA: On the Polishness of Contemporary Polish Art at Real Art Ways, Hartford, CT (October 2006 - January 2007); and Mark Rothko: Paintings from the National Gallery of Art in Washington at the National Museum in Warsaw, Poland (June - August 2013).
| Message from the Editor
This special issue of the Brooklyn Rail introduces AICA (the International Association of Art Critics), founded in Paris as a non-governmental organization affiliated with UNESCO in 1949, to a broader audience in the United States and elsewhere.
Marek Bartelik speaks with Wiesław Borowski, the founder of the legendary Galeria Foksal in Warsaw, which played a seminal role as a unique art institution, confronting and absorbing the ambiguities of the oppressive political system in Poland.
As an art historian, an art critic, and an émigré living in New York, I am used to seeing things through other peoples eyes. Two friends came to attend one of the openings at the new MoMA.
Annie Freud was born in London in 1948 and graduated in English and European Literature at the University of Warwick. She is the daughter of painter Lucian Freud, maternal granddaughter of sculptor Sir Jacob Epstein, and the great grand daughter of Sigmund Freud.
| About AICA
A large white envelope addressed to the headquarters of AICA International at 32 rue Yves Toudic, 75010 Paris, stamped Documents only, was mailed from New York on April 27, 2010. Last March, during my visit to the French capital to attend our annual administrative meeting, I found that envelope on a bookshelf in our office, stuck between two exhibition catalogues.
| AICA in Pictures
Art is the most intense mode of individualism that the world has known, (Oscar Wilde). AICA is about individuals, who happen to practice art criticism.
Lately, I have been involved in an ongoing discussion about a crisis in contemporary criticism, and perhaps properly so, after assuming in 2011 the position of President of AICA International, an art critics association with a membership of over 4,500 in 63 national sections worldwide.
René de Ceccatty was born in Tunisia. His French family moved to France when he was six years old. A renowned novelist, essayist, playwright, and translator, his interests in Italian and Japanese literature have resulted in translations of such important writers as Ôé, Abé, Sôseki, Mishima, Tanizaki, Yûko Tsushima, Ogawa, Pasolini, Moravia, Leopardi, Saba, and Bonaviri.