Jonathan Fineberg, University Professor at the University of the Arts in Philadelphia, writes broadly on modern art and visual thinking. He and David Yager have just launched a radical new Ph.D. program for the University of the Arts focused on creativity as a foundation for doctoral research (www.uarts.edu/phd). Fineberg's newest book is Modern Art at the Border of Mind and Brain.
It's a Great Day When One and One Don't Add Up To TwoBy Jonathan Fineberg
Creativity is an elaborate game of connect the dots where you can’t actually see the dots, you have to infer them. Moreover, these dots are charged with emotional and autobiographical significance. From a psychoanalytic perspective we might say that you keep yourself from seeing them. I asked ten remarkably creative and accomplished people in a wide range of professional practices to write down a few thoughts about creativity. Where does it come from? Does it apply to any realm of endeavor? Can we teach it? Are our institutions nurturing it?
Modigliani Up CloseBy Jonathan Fineberg
The School of Paris was a breathtaking collection of artists who were young together, going in and out of one anothers studios, meeting in the nearby cafés of Montmartre and Montparnasse: Constantin Brâncuși, Georges Braque, Marc Chagall, Juan Gris, Marie Laurencin, Jacques Lipchitz, Henri Matisse, Amedeo Modigliani, Piet Mondrian, Pablo Picasso, Henri Rousseau, Chaïm Soutine, Suzanne Valadon were all there, not to mention poets, playwrights, and composers such as Guillaume Apollinaire and Gertrude Stein, Alfred Jarry, Erik Satie, and more. Can you be nostalgic about a place you only went in imagination?
Suzanne Valadon: Model, Painter, RebelBy Jonathan Fineberg
That the unforgettably beautiful 18-year-old who modeled for Renoirs 1883 Dance at Bougival (in Bostons MFA) should turn out to be one of the great painters of the early 20th century is a puzzle designed to baffle any art historian of my generation.
Soutine/de Kooning: Conversations in PaintBy Jonathan Fineberg
Whereas Soutines work brings out emotional turmoil, de Kooning treats the ambiguities of perception as an exciting epistemological adventure.
Experiments with Truth: Gandhi and Images of NonviolenceBy Jonathan Fineberg
Rarely in the hectic, increasingly commodified world of art today has a museum exhibition so successfully taken us to another place in our heads as did this show in Houston this winter.
Venice BiennaleBy Jonathan Fineberg
If you attended the Salon of 1863 in Paris you would remember Manets Olympia which caused quite a stir.
Water, Wind, Breath: Southwest Native Art in CommunityBy Jonathan Fineberg
Lucy Fowler Williams, a curator from the University of Pennsylvania Museum of Archaeology and Anthropology, has brought an historical overview to both the Water, Wind, Breath catalogue and to the exhibition itself, telling the history of the encounter between technologically advanced European cultures and Native Americans in the eighteenth, nineteenth, and early twentieth centuries.
It’s a Great Day When One and One Don’t Add Up To TwoBy Jonathan Fineberg
Creativity is an elaborate game of connect the dots where you can’t actually see the dots, you have to infer them.
with Jonathan Fineberg
“You know each of our projects is like a slice of our life, myself and Jeanne-Claude. And the journey is so exciting—not only the realized things.”
REWIRING NORA: A Chance Encounter with Something UnknownBy Jonathan Fineberg
Nora, my Bernese Mountain Dog had many endearing traits; she would amble over and lean affectionately into my legs and I enjoyed having her lie down on my feet under my desk
Bob ThompsonBy Jonathan Fineberg
I am writing to mark the passing last Sunday (November 28) of Bob Thompson, the Colonel John Trumbull Professor of African and African-American art at Yale, at the age of eighty-eight. His colleagues and students will write a more professional obituary than I ever could, but these are a few personal memories for myself and for friends who loved this magical man.