Fiction: Constraints Of QuirkBy Jon Curley
Quirk has become a mainstay of contemporary fiction and also something of a malady.
MATVEI YANKELEVICH OF UGLY DUCKLING PRESSE with Jon Curley
Ugly Duckling Presse (UDP) is a Brooklyn-based, internationally acclaimed small press, a community of artists, artisans, and creative enterprises. The vitality of the organization is manifested in the antic energy of its 14 collective members and their various editorial and literary ventures.
Nonfiction: Darkness At The Edge Of TownBy Jon Curley
Most writings about drugs or drug cultures are as puerile as their subject mattersensationalistic or moralizing, effusive in condemnation but offering no solutions, limited in scope anddare I say?substance. Whether a casebook study of addiction, a memoir regaling in past pharmaceutical misbehavior, or grassroots or governmentally-mandated literature, treatments of the topic rarely address the range of problems,
NONFICTION: The Slimy BottomBy Jon Curley
In July 1997, I discovered a human skull in front of the Canadian Embassy in Beijing. From a distance and in the haziness of an exceptionally humid night, the luminescent orb looked like some awkward artificial lighting fixture. It looked intentionally placed there.
TokensBy Tatiaana Laine, Jon Curley, and Ray Abernathy
John Wray (Canaans Tongue) delivers another fast-paced novel which takes us through the New York City subway system, tracking a schizophrenic sixteen-year-old boy who, like many of the citys paranoid residents, believes he has been made privy to information about a pending apocalypse.
NONFICTION: Prison Cages, Death RowsBy Jon Curley
Both law enforcement officials and readers the world over have a fetish for incarceration. There are now roughly 2.3 million people behind bars in this country, five times more than in 1978. With so many imprisoned individuals there is sure to be a proliferation of prison memoirs and a readership hungry to live vicariously in the confines and conditions of an existence they may know cinematically, but generally not by experience.