JILL DEHNERT is a writer living in Brooklyn, NY.
The Limitations of GenderBy Jill Dehnert
In this remarkably compelling memoir, Lynsey Addario chronicles over 10 years of experience as a war photojournalist. The Pulitzer Prize winner and MacArthur genius fellow has photographed, it seems, every major conflict since 2000 and tells the story of a dangerous, intense, and unlikely profession. Yet, perhaps the most compelling part of the book comes down to the fact of Addarios gender.
Hybrid BeingsBy Jill Dehnert
In Mohsin Hamids new collection of essays, Discontent and Its Civilizations, the author calls for a human population that is both aware and more tolerant of the complexities, intricacies, and pluralities of the human experience in an increasingly globalized world.
Class RulesBy Jill Dehnert
Today nearly 50 million Americans live below the poverty line. It is a statistic that is, perhaps, too large to mean mucha statistic that doesnt get as many headlines as, for example, police brutality against unarmed black men, but one that does just as much violence.
Daughter of the WestBy Jill Dehnert
A colleague of mine once described Joan Didion’s work as “pretty straightforward.” But, as Tracy Daugherty shows in The Last Love Song, his encyclopedic biography of the prolific, much-studied novelist and journalist, Didion’s work is anything but “straightforward.”
Between HomesBy Jill Dehnert
The recent media coverage of Syrian refugees is representative of only a small fraction of the people around the world who are forced to flee their homes in search of safety and security.
The Myth of a Post-Racial AmericaBy Jill Dehnert
Within the first pages of Citizen: An American Lyric, Claudia Rankine establishes, through personal anecdote told in the second person, the themes that will be explored in the book: race, privilege, public versus private persona, memory and most ubiquitously, language, or, more specifically, the power of language both to construct and deconstruct personhood.
The Long Way AroundBy Jill Dehnert
In todays world, which Michael Hofmann describes as blogal and instant and on demand, where it seems we are all trying to consume as much content as quickly as possible, Where Have You Been? feels almost novel. These 30 essayswhich focus mainly on 20th-century poets, but also visual art, film, prose writers, and some thoughts on translationcan in no way be read quickly or easily.