JASON STOPA is a painter and writer living in Brooklyn, NY. He received his BFA from Indiana University and his MFA from Pratt Institute. He is a contributing writer to Art in America online, Hyperallergic, and the Brooklyn Rail. He teaches at the New Hampshire Institute of Art, Pratt Institute, and The School of Visual Arts.
On the occasion of her exhibition Recent Work at Edward Thorp Gallery in New York (April 19 May 26, 2012), painter Katherine Bradford welcomed fellow painter and Executive Editor of NY Arts Magazine, Jason Stopa, to her Williamsburg studio to talk about her current work and the publication of her first artist book.
Sometimesalbeit rarelyformal propositions can be politically influential. When the two meet, its a beautiful intersection. And Albanian artist, Anri Sala, loves intersections: the intersections of language, syntax, history, and cultural memory, to be specific.
Nate Ethier’s recent exhibit at LMAK is titled Wilderness, and the eight paintings in this show walk us through geometric abstraction’s endless possibilities. Ethier’s mid-size paintings engage in a regenerative abstraction. The artist paints geometric forms built up through color shifts, transparencies, and opacities, but form is never quite solid.
New York visual artist Joshua Abelow recently sat down with painter and writer Jason Stopa to discuss his work and upcoming exhibit at James Fuentes.
Recently on view at John Davis Gallery were Farrell Brickhouse’s latest paintings spanning the last two years of his career. Two dozen works speckled with glitter and flecked with white dots filled both the first and second floors and the gallery.
Russell Tyler's solo show, Radiant Fields, effectively combines three major painterly characterizations of space: the cinematic, the theatrical, and the digital, with surprising result.