Hannah Sage Kay
Hannah Sage Kay is a contributor to the Brooklyn Rail.
Take Me (I’m Yours)
By Hannah Sage KayTake Me (I’m Yours) presents the work of over forty artists, all of whom challenge the time-honored relationship of distance and deference established between art-object and viewer.
Doug Wheeler PSAD Synthetic Desert
By Hannah Sage KaySounds of life fade away as you, along with four museumgoers and one museum guard, pass through three successive off-white chambers separating the Guggenheim’s rotunda from Doug Wheeler’s PSAD Synthetic Desert in the topmost tower gallery.
Doug Wheeler: PSAD Synthetic Desert III
By Hannah Sage KaySounds of life fade away as you, along with four museumgoers and one museum guard, pass through three successive off-white chambers separating the Guggenheim’s rotunda from Doug Wheeler’s PSAD Synthetic Desert III in the topmost tower gallery.
MIKE KELLEY:
Kandors 1999-2011
By Hannah Sage Kay
By magnifying the stylistic, architectural, and compositional inconsistencies present within the original comic frames, Kelley highlights the vagaries and mythologies of memory—the tendency to forget and invent a (new) past.
Stories of Almost Everyone
By Hannah Sage KayLegibility varies greatly in the work of over thirty international artists exhibited in Stories of Almost Everyone at the Hammer Museum in Los Angeles.
