DIEGO GERARD is a writer and editor based in Mexico City. He is the co-founding editor of diSONARE Magazine.
| River Rail
Water, in its geological nature, belongs where Mexico City now stands. The valley, now home to over nine million people, used to be the lacustrine system of Texcoco, a body of water extending over 1,200 square miles...
Located on the outskirts of Puerto Escondido, Oaxaca, Casa Wabi is a non-profit organization offering residencies and opportunities for long-term projects for international and local artists.
Daniel Kehlmann’s new novella, You Should Have Left, is a masterful experiment about the limits of literary realism. At first a banal narrative of the everyday struggles of marriage, fatherhood, and screenwriting, the novella leaps into an apparent paranormal narrative that seeks to bend the boundaries of reality.
Inside a bar in the neighborhood of Old Havana, on the corner of Tejadillo and Aguacate Street, a bartender pours out glasses of rum. The thick sound of a microphone echoes from afar, blending with the hideous sound of street drills coming from an apparent destruction, or reconstruction of the street. The bar and the bartender are, perhaps, an ode to the daily life of such a corner in the innards of Old Havana, but the rest of the elements around are perceived as action and reaction regarding social unrest, evident in the micro-scenario of this space, revealing the isolated struggles for and against freedom of speech.
Hippias Minor, one of Plato’s early dialogues, has been, if not controversial, one of his most misunderstood works. In it, Plato details a heated conversation between Socrates and Hippias, a renowned sophist polymath. The dialogue is prompted by their opposing ideas about what constitutes a “better man.”