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Charlotte Kent

Charlotte Kent, PhD is assistant professor of visual culture at Montclair State University. Her work examines the role of the absurd in the contemporary. She lives in NYC and works with artists internationally.

Gina Beavers: The Life I Deserve

The lighting for Gina Beavers’s exhibit The Life I Deserve is Instagram perfect. That seems only fitting for paintings based on social media posts and aware that they will return there as #art #museum #artselfie or even, in a potential throwback to 2015, #museumselfie. The artist’s #Foodporn series from 2014 gets particular attention, though the newer series based on makeup tutorials had some snapping pics as well. All this begs the question, what are we looking at?

Julia Scher: American Promises

Motherhood is a role partly defined by its expectation to survey, observe, and discern, so the work also shows the shifting roles of surveillance within familial

The Heart is a Lonely Hunter

McCullers’s work evokes a sense of alienation—both from society and, crucially, from oneself. However, to many she also represents an enthusiastic, if not necessarily fully consummated, embrace of her own desires.

Manfred Mohr: A Formal Language

“Computer graphics is a young and new way of aesthetic communication; it integrates human thinking, mechanical handling, logic, new possibilities of drawing, and incorruptible precision of drawing—a new DUKTUS!” So wrote Manfred Mohr in 1971 celebrating this “duktus,” the Latin term for handwriting, also used in German to acknowledge the individual peculiarities of a medium or someone’s style.

Art Story

Looking back, I think I started reading stories about art because I tired of eros and arate. In the wrath of The Iliad or Woolf’s The Waves, through the passion of Shakespeare’s Romeo and Juliet or Nabokov’s Lolita, humanity’s highs and lows were exhausting.

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The Brooklyn Rail

NOV 2019

All Issues