Anne Washburn's transadaptation of Euripides' Orestes runs through April 11.
There is a place in theater for talky received naturalism. A lot of very good actors were trained up in it and are comfortable with it, and their bravura performances often justify what is a high charge-per-minute for a form more gracefully expressed in television and novels.
Lowell, an American on his first business trip to a unnamed west or west-eastern European country, is met unexpectedly at the airport by a beautiful colleague, Sara.
Anne Washburn: I suppose my question is, in setting a play on a working dairy farm are you writing about what you had, or about what you didnt have?