ALEC NIEDENTHAL is a recent graduate of Brown University's MFA program in Literary Arts. He has published fiction in the Brooklyn Rail, The Toast, Agriculture Reader, Vol 1. Brooklyn, and other venues. He is currently working on a novel about anti-Semitism and sex.
FEB 2018 | Fiction
Mikhail and Margarita is a book equally noteworthy for its addicting plot as it is for the serious questions it asks about the writer’s relation to the state.
JUNE 2018 | Fiction
Sheila Heti is the author of seven books, including the 2012 novel, How Should a Person Be? which was a New York Times Notable Book and was called by Time magazine "one of the most talked-about books of the year."
FEB 2017 | Fiction
One voice I trieda third-person focused on the point-of-view of the child. The third-person narrative consumes plot at a different rate at the first-person.
MAY 2017 | Fiction
Jaroslav Kalfar’s debut, Spaceman of Bohemia, starts by tracing Jakub Procházka’s space flight to Chopra, a cosmic dust cloud of which he, as the Czech Republic’s fictional first astronaut, is meant to return to earth with samples.
JUL-AUG 2017 | Fiction
Before this interview I’d read two of David Szalay’s novels, All That Man Is and London and the Southeast (both from Graywolf). The former was nominated for last year’s Man Booker prize; the latter, David’s first novelhe has written a total of fouris being published on our side of the Atlantic for the first time this fall. The text below applies more to All That Man Is than to London, which is a more conventionally structured book.
DEC 17-JAN 18 | Fiction
David Coventry’s masterful The Invisible Mile is, on its face, a novel about cycling. It’s about the 1928 Tour de France, when an English-speaking team participated for the first time, a peloton from New Zealand.
JUNE 2014 | Fiction
We were in constant awe of himVon Chiffon, this fidgeting boy with a voice that rose without ceasing, a voice that when he began speaking, trundled until it had done.
APR 2018 | Fiction
Elizabeth Strout writes fiction that adds and strips away. For every remarkable act of noticing, every tree rustle or bitter wind she gets across, her work hides the profound alienation—self divided from self, parent divided from child—that drives her characters on.
SEPT 2018 | Fiction
Keith Gessen’s A Terrible Country is a remarkably plotted novel. It proceeds in little twists and bends, gradually gaining scope, like a line that becomes a plane. Gessen’s second work of fiction, it reminds me of how—if I remember right—Tolstoy described War and Peace: not a novel but something else.
APR 2017 | Fiction
Jonathan Lee’s masterful High Dive is at once a high-minded political novel and an interrogation of how it feels to fail, to stagnate, and of the moments of grace that can occur within stagnation.
JUNE 2017 | Fiction
Colm Tóibín is a writer most of us might know because of Brooklyn, his novel of Irish emigration across the Atlantic, which takes place in the 1950s. A quiet study of displacement and longing, it was recently adapted for the screen.
NOV 2017 | Fiction
Tessa Hadley’s stories and novels treat the humdrum drama of British middle-class life with reverence, intelligence and a certain kind of eye I’m having trouble adding an adjective to.
DEC 16-JAN 17 | Fiction
Stranger, Father, Beloved follows a wealthy New England husband and father of two who, while hosting a party with his wife, meets a man by whom he’d like to be replacedas a husband, and as a father.