WILLIAM DAVIE is a writer based in London who regularly contributes to Aesthetica Magazine, Ambit Magazine, and This is Tomorrow, where he also serves as editor.
MAR 2018 | ArtSeen
The uniquely compelling factor, which keeps the viewer in front of the works, is their lack of answers. In these paintings, more so than in any previous body of work, Doig directs the oneiric overtones from the present rather than from memory.
OCT 2018 | ArtSeen
If curators Jonathan Benington and Brendan Rooney are right and it is time for a re-evaluation of Roderic O’Conor’s oeuvre, then the case they put forward in Roderic O’Conor and the Moderns: Between Paris and Pont-Aven, on view at the National Gallery of Ireland in Dublin, is certainly a captivating one–but not entirely without its pitfalls.