We stand in solidarity with the uprising unfolding across the country following the murders of George Floyd, Breonna Taylor, Tony McDade, Nina Pop, Jamel Floyd, and those affected by generations of structural violence against Black communities.

We're putting together a list of resources for self-education, mutual aid, and ongoing action in the struggle for racial justice.

View PDF Search View Archive

Valentina Di Liscia

is a writer and translator based in Brooklyn. Originally from Argentina, she received the Brodsky Scholarship for Latin American Art History at Hunter College, where she is pursuing a Master's degree focused on the intersection of activism and art in South America. Her reviews appear in Hyperallergic, Art Observed, and Mask magazine, among others.

Rachelle Dang: Uncertain Haven

In the middle of a small room at Lesley Heller Gallery is a slightly disconcerting object. Disconcerting because its form and features are those of a thing we should recognize, a familiar thing, not a recondite conceptual artwork: gabled roof, symmetrical windows, an unassuming exterior painted gradients of yellow and green, like the façade of an abandoned house creeping with the first faint spores of moss.

Simone Fattal: Works and Days

The sculptures in Simone Fattal’s exhibition Works and Days at MoMA PS1 appear freshly dusted off from an archaeological dig, artifacts or parts thereof wrested from history. The retrospective, curated by Ruba Katrib, is the artist’s first in the United States and presents more than 200 works including paintings, works on paper, and sculptures from the last five decades of Fattal’s production.

Elaine Cameron-Weir: strings that show the wind

That the elements of Elaine Cameron-Weir’s works are at once ruggedly utilitarian and impossibly arcane is one of her brilliant conceits.

ADVERTISEMENTS
close

The Brooklyn Rail

JUNE 2020

All Issues