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Saadat Hasan Manto (1912–1955) is a giant of South Asian fiction. His Urdu stories, vignettes, anecdotal prose, and satire place him squarely at the center of the Urdu canon. His continued cultural relevance can be attested to new dramatic works centered on his life and writing: the 2018 film Manto by the famous Indian actress, activist, and director Nandita Das, and the 2019 staging of Mantos work by Motley, the Mumbai theater troupe of the famous Indian actor Naseeruddin Shah.
So great are the gifts of English civilization! Has it not given us backward Indians what we used to lack? Has it not told our shameless women how to show off their curves in ever yet newer ways? How to attract men with sleeveless blouses?
I was polishing my white shoes when my wife spoke up, Zaidis here. I gave my shoes to my wife, washed my hands and went into the next room where Zaidi was seated. I was shocked by his appearance.
When the songwriter Azeem Gobindpuri was hired at ABC Productions, he immediately thought of his friend, the Music Director Bhatsave. Bhatsave was Marathi and had worked with Azeem on several films. Azeem knew how talented he was, and yet how can a man show off his skills when hes working on stunt films?
This happened eight years ago to the day. My friend Bisheshar Naths wedding party was staying in the upscale marriage hall opposite Hindu Sabha College. There were around three hundred fifty guests who, after listening to the performances of famous prostitutes from Amritsar and Lahore, were sound asleep on the floor or in cots in the sprawling buildings many rooms.