View PDF Search View Archive

Simon Wu

Simon Wu is an artist based in New York. He is a 2018-2019 Helena Rubinstein Curatorial Fellow at the Whitney Museum Independent Study Program and serves as the Program Coordinator for The Racial Imaginary Institute.

Louis Osmosis and Thomas Blair:This is your captain speaking

If Pornhub had a section called “art-for-pay” (maybe next to gay-for-pay), we might find some of the beautiful, cynical things in This is your captain speaking there.

Tiffany Jaeyeon Shin: Microbial Speculations on Our Gut Feelings

Nightclub incubator is the mood of Tiffany Jaeyeon Shin’s residency at Recess, corroborated by its magenta light and pulsing, electronic soundtrack tuned to a specific frequency to stimulate bacterial growth. It is not a bad summary of her aims either: to create a collective space for speculating on the possibilities for transcendence, sociality, and care that the microbial might give to us today.

ANOHNI: LOVE

“I think about holding space for vanishing,” ANOHNI recounts in the press release for this exhibition, “of people, of communities, of biodiversity, in a way that opens into spectral time, leaking all points at once.”

Viva Ruiz: ProAbortion Shakira: A Thank God for Abortion Introspective

Viva Ruiz is the daughter of Ecuadorian immigrants, a Queens native, and an artist for whom showing in a gallery is the exception rather than the norm.

Hadi Fallahpisheh: Almost Alone

In Blind Rat (2019), one of 15 large photographs featured in Hadi Fallahpisheh’s exhibition at Tramps, a rat wears tiny, ’90s Matrix-style glasses and spreads its legs suggestively, its crotch replaced by a mouse hole

Janiva Ellis

Much has been written about how Ellis’s paintings attest to the pain and sexualization of African American women, but hidden within and below this interpretive paradigm is a messier, more inconvenient model of identity that doesn’t fold as quickly into an established institutional narrative.

ADVERTISEMENTS
close

The Brooklyn Rail

MAY 2020

All Issues