is a writer and lives in Paris.
The 1968 International Film Festival of Cannes fell right in the middle of one of the most turbulent periods in French 20th century history. Fifty years later, whilst claiming to celebrate the “national” spirit of May ’68, President Emmanuel Macron threatens to destroy its residual legacy through neoliberal policies, labor reforms, and harsh new immigration laws. The Cannes of 2018 also emerges in the context of months of public sector strikes and popular demonstrations, as well as a cultural fight: Who will get to tell the story of May ’68? Who will write history? And what does a real or fake film by Jean-Luc Godard have to do with it?