REHAN ANSARI is a Brooklyn-based writer, playwright, and artist who also works as a political pollster and measures impact in the field of art and social justice. He recently performed political standup for Martha Wilson’s Activist History Teach-in at The 8th Floor in New York and for Little Injustice at Galéria HIT in Bratslava, Slovakia. In 2016 his play Unburdened had a staged reading at Meet Factory, Prague in 2016 and inspired an installation as part of Enacting Stillness at The 8th Floor in New York. He is the lead in Ayesha, a fiction short about a hate crime, showing in the fall at Anthology Film Archives in the East Village.
MAY 2018 | Art
On February 8th Sara Reisman, George Bolster, and Rehan Ansari sat down with several members of the Queens Museum staff—Hitomi Iwasaki, Director of Exhibitions and Curator; Larissa Harris, Curator; and Prerana Reddy, Director of Public Programs and Community Engagement—to talk about their work and the museum’s role in the community.
JUNE 2011 | Express
Unburdened is set in the time just before and after President Obamas inauguration when Robin, a journalist from Toronto, goes on a newspaper assignment to Karachi. Robin is in a decade-long relationship with Katherine, and most of the play is seen through Katherines eyes
NOV 2009 | Express
After an October of attacks in Pakistan, at a UN office in Islamabad, Army Headquarters in Rawalpindi, and police academies in Lahore and with the Pakistan Army backed by the US attacking the tribal areas of PakistanI decided to have a conversation on Skype with a Pakistani writer I spent some time with in Lahore last winter.
JUL-AUG 2018 | Art
On March 26th Rehan Ansari with George Bolster sat down Rubin Rubin, founder and executive director of Theater of the Oppressed New York City to talk about their new space in Times Square and the politics of real estate in New York, their place in the community of social justice and theater, their impact, and about managing a nonprofit space in the era of the Trump administration.
OCT 2009 | Express
If the war on terror can be likened to a storm at sea most visible in Iraq and Afghanistan, and in Mumbai last winter, its undercurrents rage in Pakistani society.
JUN 2004 | Express
When Al Jazeeras Senior Producer Samir Khader was recently in town for the theatrical release of Control Room, we met him at the Roosevelt Hotel. Born and raised in Baghdad but now living in Jordan, Khader seems right out of the world of American film noir hes like a Bogart character who has recognized a moral imperative and struggles with his fear of self and the world.