Olivia Gauthier
Olivia Gauthier is a writer based in Los Angeles.
Jennifer West: Future Forgetting
By Olivia GauthierJennifer West’s exhibition Future Forgetting, curated by David Matorin and currently installed at JOAN Los Angeles, is an ode to the iconic Los Angeles Sixth Street Bridge. It is also West’s first solo show in her hometown in nearly eight years.
Judy Chicago: Los Angeles
By Olivia GauthierWhat Judy Chicago: Los Angeles truly showcases is how Chicago grappled early on with her place in a male dominated discourse. We see the methods through which she challenged and defied normative conventions, working to define a practice that would push the dialogue of contemporary art forward in the direction of feminist interests.
Sadie Barnette: The New Eagle Creek Saloon
By Olivia GauthierFor The New Eagle Creek at the Institute for Contemporary Art, Los Angeles, Sadie Barnette’s first solo museum exhibition, the artist has reimagined her father’s historic bar with a glittering fictional patina. The installation, a version of which originally debuted at The Lab in San Francisco, functions as both a physical archive of the bar as well as a space to be activated by visitors, where coming together in each other’s company is foregrounded as something to be celebrated.
Felipe Baeza: Through the Flesh to Elsewhere
By Olivia GauthierBaeza’s figurative practice is rooted in the poetics of viewing another body: the depth of layered materials abstracts the image of the body, rendering it partially visible and partially cloaked, and giving visual form to the concept of the fugitive body.
With Pleasure: Pattern and Decoration in American Art, 1972–1985
By Olivia GauthierWith Pleasure: Pattern and Decoration in American Art 1972–1985 at the Museum of Contemporary Art in Los Angeles presents an affirmative and celebratory survey of a less-studied yet deeply influential movement that presents a historical background for some of the trends we see in contemporary art today.
Peggy Ahwesh: Heart_Land
By Olivia Gauthier“She said, the center cannot hold,” Marianne Shaneen narrates over meditative drone footage of Lebanon, Kansas projected on a split-screen. This phrase in the opening sequence of Peggy Ahwesh’s 2019 video installation Kansas Atlas (2019) is an apt description for the practice of the vanguard experimental film and video artist.
Shirin Neshat: I Will Greet the Sun Again
By Olivia GauthierShirin Neshat has been negotiating her experience as an immigrant and artist in exile through art for over three decades, brought together in a harmonious labyrinth of poetry, music, film and photography in the largest survey to date of her remarkable career. I Will Greet the Sun Again, curated by Ed Schad, brings together over 30 years of photography, video, and film, offering viewers an opportunity to immerse themselves in Neshat’s sublime menagerie of engrossing images, still and moving. Laden with a collective catharsis, Neshat’s work across mediums centers a female perspective as a voice for universally experienced traumas of political upheaval, forced exile, and the diasporic condition.
