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Matt Turner

is a London-based film writer and programmer. As well as writing and organizing events, he currently works at Open City Documentary Festival in London.

Unortho-docs at Locarno 70

Last August, three of the most impressive, innovative documentaries of the year, Eduardo Williams’s The Human Surge, Nele Wohlatz’ El Futuro Perfecto and Theo Anthony’s Rat Film, premiered at the Locarno International Film Festival. With an even greater focus on nonfiction film for this year’s 70th edition, it’s perhaps worthwhile to look back on the festival through these offerings alone.

Frames of Representation 2018: The Human Epoch

Frames of Representation’s founding mission was to bring “new forms of documentary cinema” to London’s Institute of Contemporary Arts, but this mandate felt a little looser for the festival”s third edition.

Talking Things Through: Lucy Parker's Solidarity

With nonfiction films that deal with a political subject, form can often be a secondary concern. This is particularly true of films about activist movements, wherein the individual depicting the organization can become so embroiled in its particularities that the resulting film ends up a mere record, or worse, a recounting, a mass of information and little else.

Expectations Upended: Doclisboa 2018

Most film festivals are largely alike; Doclisboa—a well regarded non-fiction film festival in Lisbon, Portugal that just held its 16th edition—does things a little differently.

Losing Control of the Nightclub: Everybody in the Place

While essentially about the past, it also concerns itself with continuities, intending to involve the audience in an assessment of their shared present through the deconstruction of a past they are too young to have been a part of.

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The Brooklyn Rail

NOV 2019

All Issues