is a London-based film writer and programmer. As well as writing and organizing events, he currently works at Open City Documentary Festival in London.
Last August, three of the most impressive, innovative documentaries of the year, Eduardo Williams’s The Human Surge, Nele Wohlatz’ El Futuro Perfecto and Theo Anthony’s Rat Film, premiered at the Locarno International Film Festival. With an even greater focus on nonfiction film for this year’s 70th edition, it’s perhaps worthwhile to look back on the festival through these offerings alone.
Most film festivals are largely alike; Doclisboa—a well regarded non-fiction film festival in Lisbon, Portugal that just held its 16th edition—does things a little differently.
Frames of Representation’s founding mission was to bring “new forms of documentary cinema” to London’s Institute of Contemporary Arts, but this mandate felt a little looser for the festival”s third edition.
While essentially about the past, it also concerns itself with continuities, intending to involve the audience in an assessment of their shared present through the deconstruction of a past they are too young to have been a part of.
- Unortho-docs at Locarno 70 by Matt Turner
- Frames of Representation 2018: The Human Epoch by Matt Turner
- Expectations Upended: Doclisboa 2018 by Matt Turner
- Losing Control of the Nightclub: Everybody in the Place by Matt Turner