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Madeleine Seidel

is a Brooklyn-based writer and curator studying feminist art and film movements. She is currently an MA candidate at CUNY Hunter College.

Tiona Nekkia McClodden: Hold on, let me take the safety off

You are hit first by the contrast. The clinical white of the gallery walls behind the black leather and paint draw in and repel—equal and opposite forces. Within the freeing constraints of the gallery space, we are invited to explore an artistic vision of other types of freeing constraint: physical and psychological kinds, based off leather and trust and, most importantly, balance in pain and pleasure.

Madeline Hollander: Heads/Tails

A 2019 Whitney Biennial participant and professional choreographer, Madeline Hollander uses her impressive conceptual dance practice to analyze the ways in which humans interact within the mechanical trappings of modern society and urban landscapes.

Xandra Ibarra: Forever Sidepiece

In the early 1980s, postcolonial theorist Homi Bhabha coined the term “fixity” to describe the motifs and symbols visual discourse has used to craft harmful stereotypes and establish the “difference” of minoritized communities. Usually involving references to supposed violence or sexual deviance by highlighting the physical body and its flesh, this covert language of images perpetuates prejudice against the Other. It is this visual lexicon that the Oakland-based artist Xandra Ibarra explores, parodies, and reclaims in her exhibition Forever Sidepiece, showing at Queens’s Knockdown Center through October 27.


The Brooklyn Rail

JUL-AUG 2020

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