is a writer and independent curator based in New York.
In theorist and historian Partha Chatterjee’s 1991 essay “Whose Imagined Community?”, Chatterjee challenges Benedict Anderson’s argument made in his book, Imagined Communities, that politicians in Africa and Asia selected their post-liberation national forms from existing models in the United States, Western Europe, and Russia.1 Chatterjee responds: if postcolonial nations are restricted to these models, then what is left for them to imagine? The late Congolese artist Bodys Isek Kingelez’s works can provide an answer to Chatterjee’s question.
Ramirez Jonass artwork and essay shape this exhibitionary exploration of loss—how artists reckon with it, or even attempt to restore or repair it.
Despite living at the center of tech development and corporatization, Jacobsen gravitates towards untrendy, outdated means of production—copy stores and drugstore photo counters.