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Jen C. George

Jen C. George writes out of New York City.

Light and Desire: Illuminating Anger and Transformation

On September 15, New York Live Arts opened its doors, elevators, and stairwells, and welcomed an audience into an unconventional space for an opening night performance: its third-floor studio. The front row (masked, of course) settled into cushions on the floor, as the seated rows filled behind them, ready to witness Colleen Thomas’s Light and Desire.

A Study of Form and Individuality

It’s opening night of William Forsythe: A Quiet Evening of Dance at the Shed, and the audience files into the spacious black box theater, nearly drowning out a gentle soundtrack of bird chirps with pre-show conversations. Per the program, we will be treated to work compiled from different time stamps along William Forsythe’s career: newly commissioned pieces (Epilogue and Seventeen/Twenty-One) stand alongside existing repertory (Dialogue (DUO2015) and Catalogue) re-worked over the past 20 years.

New Prayer For Now

Stephen Petronio Company’s program for the Joyce Theater documents the company’s growth with five new or reimagined works and makes a case for the continuation of digital dance as we move optimistically into “post-pandemic” times.

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The Brooklyn Rail

OCT 2021

All Issues