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J.C. Hallman

J.C. Hallman’s most recent book is B & ME: A True Story of Literary Arousal, a work of “creative criticism.” He sort of lives in New York City.

The Movement Toward Art

I’m on the record as having said this elsewhere, but it bears repeating: the most fundamental problem of criticism today is the belief that, by definition, an act of criticism is an act of argumentation.

A Voice From the Pit: Brandon Hobson's Where the Dead Sit Talking

Where the Dead Sit Talking is narrated by a weird kid—kind of innocent, kind of ignorant—named Sequoyah. The story unfolds during Sequoyah’s stint as a foster child during his mom’s period in lockup.

THE MERE ARTICULATION OF SIGNIFICANCE: Joy Enough: a Memoir, by Sarah McColl

What you’re probably going to hear about this delicate, intelligent, and conscientiously slight debut memoir—if you haven’t already—is that ultimately it’s a foodie book: the story of a young woman in a bad marriage preparing elaborate dinners for a mother who has fallen ill and who will fail because no meal is medicine enough. That’s all here, but there’s much more to this memoir that will likely be treated only scantly in what is sure to amount to a smorgasbord of praise.

Joe Pan’s Operating Systems

It’s quite rare, these days, for a poem to become front page news in the New York Times.

Inkblot Journalism: Jay Kirk’s Avoid the Day

Jay Kirk’s second book is a novelistically novel form of literary investigation that is by turns bizarre and brilliant, hilarious and heartbreaking. There is no attempt to be objective or comprehensive, and as much as anything else the goal is to project Kirk’s own achingly honest story first onto a mystery, and then onto an adventure, both of which he more or less stumbles into.

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The Brooklyn Rail

JUL-AUG 2020

All Issues