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Ivan Talijancic

Ivan Talijancic is a founder and artistic co-director of WaxFactory, a New York-based interdisciplinary art group. He is currently completing his first feature film, 416 MINUTES, and regularly writes on the arts for BOMB, London-based Bachtrack, and the Brooklyn Rail.

In Conversation

Ecstasy and Exorcism in Kimberly Bartosik’s I hunger for you

Kimberly Bartosik kicked off her professional career with a nine-year-long adventure dancing for the Merce Cunningham Dance Company (1987 – 1996), the work for which she then received a Bessie Award in 1997. Since then, she has been steadily and methodically building a choreographic body of work, characterized by a rigorously detailed exploration of physicality and a keen interested in creating multidisciplinary performance environments.

Migratory patterns: Sasha Waltz's recent works

It is a brisk late-August day in Berlin and I am at the Radialsystem V, the former water purification plant flanking the banks of the river Spree, which the choreographer Sasha Waltz and her longtime collaborator and partner, the dramaturg Jochen Sandig, converted into a multipurpose art venue a decade or so ago.

Migratory patterns: Sasha Waltz's recent works

It is a brisk late-August day in Berlin and I am at the Radialsystem V, the former water purification plant flanking the banks of the river Spree, which the choreographer Sasha Waltz and her longtime collaborator and partner, the dramaturg Jochen Sandig, converted into a multipurpose art venue a decade or so ago. Though I have visited the space on numerous occasions in the past, the spacious lobby, as well as the expansive performance hall of Radialsystem, seems almost unrecognizable, having been stripped of the usual vestiges of a performance venue. I am here to see EXODOS, a new immersive dance-theater work by Waltz, and to speak with her about her company’s upcoming US premiere of Kreatur, which lands at the Brooklyn Academy of Music in early November as part of the Next Wave Festival.

In Conversation

DIMITRIS PAPAIOANNOU with Ivan Talijancic

Later this month, New York audiences will finally have the opportunity to discover Papaioannou’s work—and just in time too: after two and a half years of touring around the world, the upcoming performances of The Great Tamer, presented at the Brooklyn Academy of Music’s Next Wave Festival as part of incoming Artistic Director David Binder’s inaugural season, will be the show’s last.

Crystal Pite's hypertextual mindscapes

It has been a while since one of Crystal Pite's powerful "homegrown" evening-length productions graced New York City's stages. In addition to various external commissions, Pite makes work with her Vancouver-based company, Kidd Pivot.

Twenty Years of WaxFactory

Erika Latta and I met as graduate students at Columbia University’s School of the Arts in New York where, upon the completion of our studies, we co-founded a multidisciplinary performance group, WaxFactory, in 1998.

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The Brooklyn Rail

DEC 19-JAN 20

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