Saeeds practice is at once deeply psychological and disconcerting, and draws on imagery from history and mythology to illustrate encounters between animals and humans. The artist is perhaps best known for her reliefs and sculptural works crafted out of polystyrene foam (commonly referred to as Styrofoam), while welded steel gates and works on paper also populate the gallerys walls.
Works by Xiyadie and Amanda Ross-Ho are displayed at Galerija Equrna, and in particular confront the communicative nature of the graphic. Xiyadie's intricate papercuts are at once objects which harken to vernacular graphics (papercutting is a form of folk art popular in the artist's native Shaanxi Province in north-western China) and narrative scenes which, interpreted alongside their titles, suggest moments from the life and imagination of the artist.
In Genesis Belangers exhibition Through the Eye of a Needle, curated by Amy Smith-Stewart, death is an expected, albeit uninvited, guest, at home in the affluent domiciles orchestrated here through tableaux and mise-en-scène.