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Hannah Maier-Katkin

is a writer living in San Francisco and recent alumna of the Whitney Independent Study Program.

Stephen Kaltenbach: The Beginning and the End

This exhibition is not quite a retrospective, as Kaltenbach’s career has not quite taken a conventional path. Rather, as the show’s name insists, Lewallen and Mann have selected works from the beginning of Kaltenbach’s career and from its alleged end—a nod perhaps to the conclusion, with this exhibition, of the artist’s self-imposed exile from the art world at large.

Richard Mosse: Ultra

Richard Mosse has recently garnered a sort of perverse accolade from a hyper-capitalist art market that values speculative worth over subversive potential. The Kilkenny-born photographer set an auction record earlier this year for the sale of a single print by an artist under the age of 45.

Terry Fox: Resonance

Resonance as it is known to the public —although affectionately the series has been termed “The Terry Fox Extravaganza” by its co-curators Dena Beard, director of The Lab art space in the Mission neighborhood of San Francisco, and Constance Lewallen of the Berkeley Art Museum and Pacific Film Archive (BAMPFA)—is a multi-venue celebration of the late, Seattle-born, Europhilic Fox's work and contributions to the Bay Area as a member of the first generation of conceptual artists in the late 1960s and 1970s.

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The Brooklyn Rail

MAR 2020

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