The show at PPOW consists of 22 paintings and two wall-bound sculptures (all 2019). Five large paintings depict reposing, peachy-porcelain nudes arranged on shallow, tree-framed outcroppings, surrounded by the detritus of extravagant feasts: dishes loaded with fruit, meticulously-crafted cakes, chalices alight with flames, even an oyster shell full of pearls. This bounty, however, is haunting.
Body is vessel in the nine new paintings by Loie Hollowell that make up Plumb Line, the artists debut show with Pace. With a strong, centrally-placed vertical line as her organizing principle, Hollowell delivers human forms distilled into a succinct vocabulary of curved shapes: bisected disks, almonds, and ovals, plus stacked rows of half-circles crowned by a glowing orb.