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Daniel Gerwin

DANIEL GERWIN is an artist and critic living in Los Angeles.

Keltie Ferris: RELIEF

“My paintings used to be dense and layered, and lately I’m separating out the parts.” This was Keltie Ferris’s remark in a September 2015 interview with Jason Stopa about her exhibition that year with Mitchell-Innes & Nash.

JONATHAN LYNDON CHASE:
Sheets

In his new exhibition of 40 works, Chase’s black male Venuses are bathed in warm yellows, tropical indigo and ultramarine, and rich purples. The men are romantic but not romanticized.

RACHEL MASON:
Star Death and The Pain Body

In Star Death and The Pain Body, Rachel Mason tunes both visual and aural experience to create a sacral space where we perceive, for a moment, the unknown outside and within us.

Peter Williams: River of Styx

Four and Twenty Blackbirds (2018) is subdivided by a tree whose branches spread across the canvas, filling it with foliage painted by means of closely packed green dots, patches of sky denoted by blue dots, and passages of red dots interspersed throughout. Written inside of a branch, the width of the rectangle, is the line “Four and twenty blackbirds—baked in a pie, oh my oh my!” Williams pushes this nursery rhyme into more troubling territory through the presence of the tree, which for Williams is an inescapable image of lynching.

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The Brooklyn Rail

NOV 2019

All Issues