Charles Moore is an art historian, writer and curator based in New York and author of the book The Black Market: A Guide to Art Collecting and The Brilliance of the Color: Black through the eyes of art collectors. He currently is a third-year doctoral student at Columbia University Teachers College, researching the life and career of abstract painter Ed Clark.
Julian Opie: [email protected]/LondonBy Charles Moore
According to artist Julian Opie (b. 1958), theres a complete shift in the way people understand imagery today. Often, Opie notices viewers reaching for their pockets in search of their phones, in hopes of documenting the art they observe. Yet, with work that incorporates virtual reality (VR), photographs cant be taken because the work isnt truly there. Those who are curious about the implications of this are invited to fasten their portable headsets and immerse themselves in Opies unique take on VR. In a show titled [email protected]/London currently open at Lisson Gallery in London, the renowned artist is showcasing both virtual reality and non-VR works in a groundbreaking multiroom experience, blending the body, architecture, and space in a manner that forces the viewer to focus on the story unfolding before them.
Kenturah Davis: (a)Float, (a)Fall, (a)Dance, (a)DeathBy Charles Moore
The exhibition centers on motion above all elsestemming from an open-ended question on the apparatus of words, and how communication guides, or perhaps structures, the way human beings exist in the world.
Phyllis Stephens: The Movement of MaterialBy Charles Moore
Stephens, a fifth-generation quiltmaker, prayed and subsequently investigated the art of dance to bring her ten-work exhibition to life. In each tapestry, Black men and women dance, either alone or in pairs, indoors or outdoors, always fully engaged with their surroundings and emotions.
The New BendBy Charles Moore
Curated by Legacy Russell, The New Bend features the works of twelve contemporary artists exploring race and gender issues in the textile space. The exhibition celebrates Gees Bend cultures, blending regional tradition with the power of cooperative feminism that took place in the Boykin, Alabama area, where the women of Gees Bend made quilts to stay warm, protecting their children while they took shelter in unheated shacks without running water, phones, or electricity.
David Hockney: 20 Flowers and Some Bigger PicturesBy Charles Moore
Known for his vibrant palette and depictions of Los Angeles in the 1960s and ’70s, Hockney has evolved in the new millennium. 20 Flowers and Some Bigger Pictures, on view at Pace Gallery from January 13 through February 25, 2023, only reinforces this.
Hana Yilma Godine: Substance in EthiopiaBy Charles Moore
The human body, according to Godine, exists in a communal space that transcends time and place, rooted in a continual energy exchange with the environment.
Tariku Shiferaw: It’s a love thang, it’s a joy thangBy Charles Moore
Tariku Shiferaws Its a love thang, its a joy thang embodies Black joybut not in the sense that people might think. In his latest exhibition, the artist pays homage to quotidian pleasures: those often referenced in the jazz era, a time when the greats sang about their daily lives.
Xavier Daniels: Cry Like A ManBy Charles Moore
Xavier Danielss solo exhibition Cry Like a Man underscores the catharsis of vulnerability. On view at the Richard Beavers Gallery through December 30th, the eleven-work show is a catalyst for change.
Ambrose Rhapsody Murray: Within Listening Distance of the Sea…By Charles Moore
Ambrose Rhapsody Murrays solo exhibition Within Listening Distance of the Sea at Fridman Gallery features several of the artists sewn and painted textiles, as well as a short film made with Logan Lynette and Heather Lee, culminating in an unparalleled depth of experience.