Cal McKeever is a writer from Brooklyn and the Curatorial Assistant at the Brooklyn Rail.
Tony Cox: Shadow BathingBy Cal McKeever
At first glance the works appear graphic, with bright swaths of color laid down on flat backgrounds. There are few immediately recognizable forms with the exception of two compositions resembling genitalia.
Andrew Cranston: Waiting for the BellBy Cal McKeever
Waiting for the Bell, Andrew Cranstons first solo show in New York at Karma, presents a new direction in scale for his dreamlike and beautiful paintings. The show is split in two distinct sections: one contains many of Cranstons small paintings on book covers, which he is known for; the other includes eight large-scale paintings on canvas. These are the standout works in the show. Each has a restrictive color palette and depicts simple, oddly familiar and sparsely populated landscapes. A sense of stillness prevails over everything.
Chris Burden: Cross CommunicationBy Cal McKeever
How do you preserve a work whose medium is rooted in ephemerality? How does a work retain its performance-ness (as opposed to the video-ness, photograph-ness, object-ness, etc. of standard documentation) fifty years down the road? These questions are on full display in Chris Burden: Cross Communication, an exhibition featuring documentation of twenty-two performances from 197180, without presuming to contain the answers.