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Bryan Martin

Bryan Martin is an associate producer and editor at the Metropolitan Museum of Art and is currently working on his MA in art history at City College.

Jonas Mekas: The Camera Was Always Running

In his act of filming, Mekas meticulously captured the poetry of the everyday as he experienced it—springtime flowering bulbs, intimate weddings, dinner with friends, or a sunset on the beach. Jonas Mekas: The Camera Was Always Running at The Jewish Museum situates the artist’s displacement as the impulse for his lifelong search for joy through the camera’s lens in a moving, nuanced, and topical presentation of Mekas’s work.

Nicole Storm

Nicole Storm’s first solo show in New York is an exuberant installation of heavily worked surfaces that combines abstract color painting and calligraphic line drawing. Occupying half of White Columns gallery, the exhibition presents a multicolored collection of two-dimensional and sculptural mixed media works with recurring visual elements.

Liz Larner: Don't put it back like it was

Entropic, phenomenological, gendered, and ecological ideas are all brought forth to display an exceptional sculptural practice that might otherwise seem disparate. But the strength of interconnected concepts and form presents Larner as an endlessly fascinating, endearing, and unique sculptor who coolly traverses art historical movements.

William McKeown

William McKeown (1962–2011) was an artist who went beyond embracing the immediacy of being: he sought to capture moments of transcendental beauty by creating spaces brimming with light, framing them through a body of abstract paintings. The 22 works on display for the Irish artist’s first solo show in New York at Casey Kaplan Gallery represent this dedication to making experiential and predominantly monochromatic color fields.

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The Brooklyn Rail

MAY 2022

All Issues