is Dornsife Professor of Neuroscience, Psychology, and Philosophy and Director of the Brain and Creativity Institute at the University of Southern California.
The Case for Impure VisionBy Antonio Damasio
It is well known that in the wake of the Romantic era, Cézanne and a host of other artists dreamed of restoring a sense of innocence and purity to our sensesthe naiveté of the artist and the innocence of the viewer. Is there such a thing as pure vision? When we are confronted with a painting, is it possible for us to see the object in pure visual terms without being influenced by a host of factors such as ones prior history of seeing art or ones acquaintance with art history?