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Ann Reynolds

is completing a book titled In Our Time, a history of intergenerational relationships among New York artists and critics circa 1940 to 1970 shaped by shared, if heterogeneous, commitments to Surrealism and its legacy.

A War on the World of Surfaces

With a light touch to its frame, a painting depicting a deep interior gallery space filled with ancient sculptures suddenly and unexpectedly slides up into the wall to reveal a pitch black rectangular void behind its frame.

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The Brooklyn Rail

SEPT 2020

All Issues