Adolf Alzuphar
Adolf Alzuphar is a Haitian music critic, and a pye zanmann storyteller.
Cécile McLorin Salvant: For One to Love
By Adolf AlzupharAcclaimed vocalist Cécile McLorin Salvant was raised in Miami as the American-born daughter of a French school principal mother and a Haitian doctor father. Her newest release, For One To Love, is her finest yet. It is an album of twelve songs, five written by Cécile, and seven standards that she is interpreting. The entire band’s performance makes this album phenomenal. The group is made of Aaron Diehl on piano, Paul Sikivie on bass, and Lawrence Leathers on drums.
Lionel Loueke: Gaïa
By Adolf AlzupharGaïa is guitarist Lionel Loueke’s fourth album. Loueke’s albums continue to be remarkable—he is well known for combining African music with deep knowledge of harmony in jazz composition.
Dois Amigos, Um Século De Musica: Multishow Live
By Adolf AlzupharIn 1969, two young men, in the midst of participating in both political and cultural revolution in Brazil, were sent into exile by their dictatorial government.
Tinariwen: Elwan
By Adolf AlzupharWith Tinariwen and several other groups, rock has made its way to northeastern Mali/southern Algeria as the beat of Tuareg liberation and yearning, of nomads unhappy about the loss of their beloved homeland Ténéré, which spans parts of the two countries. Their latest album Elwan, which translates to “The Elephants” (on L.A. label Anti-), is proof that Tinariwen and other Tuareg bands are making some of the best rock being produced today.
Electro-vodou
By Adolf AlzupharElectro-vodou is a new genre of Haitian music that has emerged with a mission to bring traditional Haitian Vodou music to the world's trance dance floors. By melding Vodou rhythm—meant to ask deities resting in trees and in water for guidance, through song and dance—to trance, which aims to possess a dancer’s body through secular music, electro-vodou explodes the possibilities of traditional rhythms and lyrics, which are very intricate and demand dedication to learn.
Ann O’Aro
By Adolf AlzupharAnn O’Aro’s eponymous 2019 recording is a rare contemporary Maloya album from Réunion that has been introduced to American audiences. It is an album of creole chansons wherein words and vocal melodies and harmonies expand Maloya, the music heard as the album’s rhythms.
Possessed by the Moon
By Adolf AlzupharA new golden age of Haitian classical music is coming soon, as beautiful as the ones before it.
The Strength, Suppleness, and Beauty of a Body
By Adolf AlzupharThe agadir—the collective granary—of music is made of songs and compositions for embodiment. Arooj Aftab, Julia Adolphe, and Layla McCalla are three musicians who contribute such music to the agadir, aiming to revive human life.
Danay Suárez, Polvo de la Humedad
By Adolf AlzupharSong after song, Cuban artist Danay Suárez’s album Polvo de la Humedad is a well executed hip hop and reggae album. With her grave rapping voice, soulful singing voice, and nuanced rhythms, she mesmerizes with the sincerity of perfected expression.
Sex, Night
By Adolf AlzupharLos Pirañas, El Shirota, and Mujeres Podridas are three bold bands making music that is evolving the Spanish language into “a luminous heat that could burn, smelt or even vaporize,” as Octavio Paz noted about poetesse maudite Alejandra Pizarnik’s poetry.
Various Artists: Desconstrução
By Adolf AlzupharThe city of São Paulo is a densely populated metropolis and major cultural and financial capital, home to a number of billionaires, major art museums, the largest gay pride parade in the world, an impressive number of universities, a vibrant Afro-Brazilian culture, and Brazil’s most infamous political protests of the 21st century.
Shwabada
By Adolf AlzupharZulu music exists in multitudes: mbaqanga, maskandi, marabi, kwaito, jazz, isicathamiya (choral), etc. Much of Zulu contributions to music shares a shwabada, a Zulu term that means spiritual lineage.
Raúl Monsalve y Los Forajidos
By Adolf AlzupharRaúl Monsalve y Los Forajidos is a septet that was founded in Caracas in 2007 and is now based in Paris. Though it is officially dedicated to a “deep exploration of traditional Afro-Caribbean and Afro-Venezuelan sounds,” its use of afrobeat and jazz are more impressive. In Bichos (2020), the group’s third album, the septet collaborates with featured musicians to protest the bichos, which translates as “the bugs,” that rule the world.
