Table of Contents
Editor's Message
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margins…
– By Lubbock Scapes Collective
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Art
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Omar Ba with Emann Odufu
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Gabrielle Goliath with Amadour
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Richard Jackson with Jeffrey Grunthaner
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Tom Sachs with Tom McGlynn
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Wind Bag
– By Steffani Jemison
ArtSeen
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Jacolby Satterwhite: A Feeling of Healing
– By Alice Godwin -
Arcmanoro Niles: You Know I used to Love You but Now I Don’t Think I Can: There Ain’t No Right Way to Say Goodbye Again
– By Tennae Maki -
Leiko Ikemura: Anima Alma - Works 1981–2022
– By Jonathan Goodman -
Cubism and the Trompe l’Oeil Tradition
– By David Carrier -
Gaby Collins-Fernández: To A Portrait
– By David Whelan -
Himali Singh Soin: The Third Pole
– By Ruba Al-Sweel -
Catherine Chalmers: We Rule
– By Tom McGlynn -
Michiko Itatani: Celestial Stage
– By Conor Lauesen -
Sig Olson: This Has Happened
– By Christopher T. Richards -
Beverly Semmes: Marigold
– By Judith Stein -
Called to the Camera: Black American Studio Photographers
– By Zoe Ariyama -
Michael Berryhill: El Paso
– By Jason Stopa -
Charles Gaines: Moving Chains
– By Zoë Hopkins -
Maureen St. Vincent: Ripple Hiss
– By Elizabeth Buhe -
Richard Hearns: Nomad
– By Raphy Sarkissian -
In the Balance: Between Painting and Sculpture, 1965-1985
– By Jonathan Goodman -
Pat Steir: Blue River and Rainbow Waterfalls
– By Amanda Millet-Sorsa -
David Lynch: Big Bongo Night
– By Nicole White -
Robert Motherwell Drawing: As Fast as the Mind Itself
– By Phong Bui -
June Leaf
– By David Rhodes -
Modigliani Up Close
– By Jonathan Fineberg -
Lucio Fontana: Sculpture
– By Choghakate Kazarian -
Mel Kendrick: Seeing Things in Things
– By Joyce Beckenstein -
Philip Guston Now
– By Rosa Boshier González -
Lily Stockman: The Tilting Chair
– By Elizabeth Buhe -
Meret Oppenheim: My Exhibition
– By Ann C. Collins -
Citing Black Geographies
– By Adriana Furlong -
Joan Didion: What She Means
– By Olivia Gauthier -
Just Above Midtown: Changing Spaces
– By Megan N. Liberty -
Kerry James Marshall: Exquisite Corpse: This is Not the Game
– By Amber Jamilla Musser -
The Tudors: Art and Majesty in Renaissance England
– By Christian Kleinbub -
Anselm Kiefer: Exodus
– By Alfred Mac Adam -
William Corwin: Lethe-Wards
– By Saul Ostrow -
Georg Baselitz: Six Decades of Drawing
– By Alfred Mac Adam -
Lezley Saar: Diorama Drama
– By Annabel Osberg -
Michael Wang: Lake Tai
– By Gwendoline Cho-ning Kam -
Pamphlet Architecture: Visions and Experiments in Architecture
– By Carter Ratcliff -
Tom Uttech: Headwinds on Windigoostigwan
– By Louis Block -
Bill Miller
– By Charlie M. Schultz -
Richard Pousette-Dart: 1950s: Spirit and Substance
– By Megan Kincaid -
Ann Hamilton: Sense
– By Nolan Kelly -
Xavier Daniels: Cry Like A Man
– By Charles Moore -
Monet-Mitchell: Dialogue and Retrospective
– By Joseph Nechvatal -
Guillermo Kuitca: Graphite Paintings from The Tablada Suite (1992) and Poema Pedagógico (1996)
– By Alfred Mac Adam -
Jules Olitski: Late Works
– By Alex Grimley -
Aziz + Cucher: You’re Welcome and I’m Sorry
– By Tennae Maki -
Jacqueline Humphries
– By Barbara A. MacAdam -
Heidi Hahn: Flex, Rot, and Sp(l)it
– By Louis Block -
Nicky Nodjoumi: 1981
– By William Corwin -
K.R.M. Mooney: extence
– By Ashlyn Mooney -
Michela Griffo: The Price We Pay
– By Ksenia Soboleva -
Tony Cragg: Incidents
– By Jonathan Goodman -
Lynne Drexler: The First Decade
– By William Corwin -
Mel Bochner: Seldom or Never Seen 2004-2022
– By William Corwin -
David Opdyke: Someday, all this
– By Akua Banful -
Günther Uecker: Shields
– By Annabel Keenan -
Alex Katz: Gathering
– By Saul Ostrow -
Brianne Garcia: Screaming in a Whisper
– By Clare Gemima -
Theaster Gates: Young Lords and Their Traces
– By Eleanor Heartney -
Philip Taaffe
– By Andrew Paul Woolbright
1x1
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On Wolfgang Tillmans: To look without fear
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Princess Julia & Vaughn Toulouse, 1989
– By Jessica Holmes -
Edinburgh builders, a, 1987
– By Mira Dayal -
Munuwata sky, 2011
– By Chloe Stagaman -
Alex & Lutz holding each other, 1992
– By Robert Enright -
indian corn & pomme granate, 1994
– By Louis Block -
Icestorm, 2001
– By James Welling -
tree filling window, 2002
– By Amanda Gluibizzi -
nackt, 2003
– By Tyhe Cooper -
Maus, 1997
– By Mary Manning -
The Blue Oyster Bar, Saint Petersburg, 2014
– By Zoë Hopkins -
Miss Kittin, 2001
– By Charles Schultz -
John Waters Sitting, 1996
– By Peter Halley -
Corinne on Gloucester Place, 1993
– By Allie Biswas -
Concrete Column III, 2021
– By Wolfgang Tillmans
Critics Page
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Environmental Boundaries
– By C.J. Alvarez -
Wondering Around
– By Priscilla Solis Ybarra -
Llano Estacado
– By Ashton Thornhill -
Mesuras de luz / Moderation of Light
– By María Sánchez -
Truckload of Art
– By Terry Allen -
Lubbock, God Love It, So Do I
– By Jo Harvey Allen -
MALIGNED
– By Danielle Demetria East -
Expression of a Common Touch
– By Lucía Jalón Oyarzun -
On Location
– By Barry Lopez
Books
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Helen Dewitt’s The English Understand Wool
– By John Domini -
On Cormac McCarthy
– By Yvonne C. Garrett -
Tiffany McDaniel with Carissa Chesanek
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Bachtyar Ali’s The Last Pomegranate Tree
– By John Domini -
Jasmine Sawers with Kate Bernheimer
– By Kate Bernheimer -
On Anthony Julian Tamburri
– By Samuele F.S. Pardini -
Joy Harjo & Haruki Murakami
– By Yvonne C. Garrett -
Miranda Seymour's I Used to Live Here Once: The Haunted Life of Jean Rhys
– By Elaine Savory -
Eileen Myles’s Pathetic Literature
– By Cassie Packard -
Luther Hughes with Tony Leuzzi
– By Tony Leuzzi -
Alyssa Quinn’s Habilis
– By John Domini -
Robert D. Richardson’s Three Roads Back
– By Emily Blackshear -
Michael Brenson’s David Smith: The Art and Life of a Transformative Sculptor
– By Brandt Junceau
Music
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In The Eternal Now
– By George Grella -
38th Belgrade Jazz Festival
– By Martin Longley -
Channeling Robert Ashley: Object Collection at The Brick
– By Dan Joseph -
Playing the Room
– By Scott Gutterman
Dance
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Corporeal Currents
– By Elinor Krichmar -
Incalculable Evidence
– By Lauren Bakst -
Muse-ship: Pleasurable Resonances
– By Doug LeCours and Julie Mayo -
Tender Mafia
– By Candice Thompson -
Hope after Tragedy
– By Noa Weiss -
Dance Your Fears Away
– By Susan Yung
Film
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Karen Han’s Bong Joon Ho: Dissident Cinema
– By Harrison Blackman -
The Greatest Films You’ll Never See
– By Edward Mendez and Laura Valenza -
Ross Lipman’s The Case of the Vanishing Gods
– By Rachel Elizabeth Jones -
Luca Guadagnino’s Bones and All (2022)
– By Nolan Kelly
Theater
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YOU LOOK AMAZING
– By Sam Myers, illustrations by Jordan Jones -
A Bonkers Workplace Comedy About Life and Grief in Events
– By Billy McEntee -
Despite its Bumpy History, Merrily We Roll Along Glides Back to New York
– By Billy McEntee
Fiction
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from Aesthetica
– By Allie Rowbottom
Poetry
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two
– By Jacob Bromberg -
six
– By Krystal Languell -
three
– By Cindy Juyoung Ok -
three
– By Juan Arabia, translated by Patricio Ferrari -
six
– By Simon Schuchat -
MINGLING
– By Robert Hébert, translated by Pat Nolan -
four
– By Jacob Kahn -
four
– By Sophia Dahlin -
two
– By Irene Vázquez -
five
– By Chime Lama
Art Books
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John Yau’s Joe Brainard: The Art of the Personal
– By Tyhe Cooper -
Flurin Bisig’s Unformed Desire
– By Ruo Jia -
Strikethrough: Typographic Messages of Protest
– By Faride Mereb -
Penny Wolin’s Guest Register
– By Lyle Rexer -
The Ten Best Art Books of 2022
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In Memoriam
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Stefan Gierowski
– By Joachim Pissarro and Natalia Gierowska
ArTonic
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The Sharpe-Walentas Studio Program
– By Andrew Paul Woolbright
In Memoriam
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Juan Alonso
– By Lyle Rexer
Special Report
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Visiting the Acropolis Museum
– By Krzysztof Wodiczko
Field Notes
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What We Are Saying is Freedom, Not the Veil
– By Maya Gonzalez -
No COLA, No Contract: On the Ground at the UC Strike
– By Zach Hicks and Rebecca Gross -
Technical Expertise and Communist Production
– By Nick Chavez
The Miraculous
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31. The 1980s, various locations
– By Raphael Rubinstein -
32. 1940 to the present, Łódž, Poland; New York; the U.K.; Saugerties, NY
– By Raphael Rubinstein -
33. 1841, Dijon; 1908, Paris, 1908
– By Raphael Rubinstein -
34. 1974, Manila
– By Raphael Rubinstein -
35. February 11, 1963, 23 Fitzroy Road and 3 Abbey Road, London
– By Raphael Rubinstein
Art and Technology
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Not for Nothing: A New Perspective from Peer to Peer
– By Charlotte Kent
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