The Brooklyn Rail

SEPT 2022

All Issues
SEPT 2022 Issue
The Miraculous The Miraculous: Music

18. 1988/2019 and various times in between, England

Asked by a music writer at what point did he realize his band was going to be a success, a singer songwriter says that he knew instantly. “There were lots and lots of people ready to identify with what I was feeling. Hatred! Hating everything, but not being offensively hateful (chuckle). It was like hate from quite gentle people.” After the band breaks up, he titles his first solo album Viva Hate. At first this seems like an extension of his famously combative personality, but in the years that follow, as he makes frequent anti-immigrant remarks, repeatedly criticizes those who speak out against sexual harassment in the entertainment industry and, during a performance on the Tonight Show, sports the logo of a notorious far-right political party, more and more of his fans (or, as they now have to think of themselves, ex-fans) conclude that the kind of hate he espouses has morphed from post-adolescent angst into pure cruelty. In short, it’s no longer charming.

(Jon Savage, Morrissey)

Contributor

Raphael Rubinstein

Raphael Rubinstein is the author of The Miraculous (Paper Monument, 2014) and A Geniza (Granary Books, 2015). He is currently writing a book about the Jewish-Egyptian writer Edmond Jabès. A Professor of Critical Studies at the University of Houston School of Art, he divides his time between Houston and New York.

close

The Brooklyn Rail

SEPT 2022

All Issues